Clik here to view.
Why I am Not a Minimalist, by Taney Roniger
Although not an explicit address to the intersection of art, science, and technology, this piece touches on the subject in a way that, while oblique, seems significant enough to warrant its inclusion...
View ArticleClik here to view.
Book review: Joseph Nechvatal, by Taney Roniger
The following review was originally published in Culture Machine, an online journal based in the UK, in December 2011.Review of Immersion Into Noise, by Joseph NechvatalOpen Humanities Press (an...
View ArticleClik here to view.
Interview with Joseph Nechvatal, by Taney Roniger
On the occasion of his exhibition nOise anusmOs at Galerie Richard in New York (April 12th through May 26th, 2012), the publication of his new book Immersion Into Noise, and a concert of his remastered...
View ArticleClik here to view.
The Map is Not the Territory, by Taney Roniger
Originally published in Anti-Utopias, an international contemporary arts platform curated by Sabin Bors, the following is an essay I wrote recently about the ideas that inform my work. I am re-posting...
View ArticleClik here to view.
Aesthetic States of Frenzy, by Joseph Nechvatal
Since 1986 Joseph Nechvatal has worked with ubiquitous electronic visual information, computers and computer-robotics. His computer-robotic assisted paintings and computer software animations are shown...
View ArticleClik here to view.
Battlestar Galactica, by G. W. Smith
G. W. Smith is an English Lit major turned systems engineer turned kinetic sculptor, and the holder of two patents in the field of electromechanical display systems. His work has been exhibited twice,...
View ArticleClik here to view.
History and Heritage - Fast Forward to the Future, by David Marshall
Castle Cornusson, near Toulouse, FranceCastle Cornusson: A Proposal for a Unique International Cultural Center by David Marshall"Tous les hommes de progrès ont comme point de départ un respect...
View ArticleClik here to view.
Towards an Art of Cybism, by Joseph Nechvatal
Joseph Nechvatal, becOming mOre cybist, 2012At the suggestion of the courageous editor of Concatenations I am revisiting my essay from the winter of 2000 “Towards an Art of Cybism” with an eye for...
View ArticleClik here to view.
PIA MYRVOLD: Works in Motion
Video Spiral - Videoloop - Pixel Cubes - Pink Hue, Venice, 2011, 32 LED screens, signal splitter, PC, video loop, cables, 160 x 160 x 360cm PIA MYRVOLD (www.pia-myrvold.com) is a Norwegian artist who...
View ArticleClik here to view.
STEVE MILLER: Crossing the Line
Signal Relay, 2003, dispersion and silk screen on canvas, 50" x 37.5"STEVE MILLER (www.stevemiller.com) is a photographer, painter, and sculptor who has been making work at the intersection of art and...
View ArticleClik here to view.
Lin Emery by Philip Palmedo: A review by G.W. Smith
Lin Emery, Wave, New Orleans Museum of Art, New Orleans, LouisianaLin Emery by Philip Palmedo, introduction by John BerendtA Review by G. W. Smith©2013 G. W. SmithLin Emery (Hudson Hills Press, 2012)...
View ArticleClik here to view.
Embodied Fantasies: From Awe to Artifice
Embodied Fantasies: From Awe to ArtificeEdited by Suzanne Anker and Sabine FlachPeter Lang AG, International Academic Publishers, Bern 2013Reviewed by Taney RonigerAcross many domains of discursive...
View ArticleClik here to view.
The American Algorists: Linear Sublime
Jean-Pierre Hébert, Triptych: Bright Wavelets 1-3, 2008Inkjet drawing, pigments on paper, 3 panels, each 77" x 38", © Jean-Pierre HébertThe American Algorists: Linear SublimeCurated by Grant D....
View ArticleClik here to view.
Diane Burko: Moving Viewers to Pay Attention
Grinnell Mt. Gould #1, #2, #3, #4, 2009Oil on canvas, 88" x 200", © Diane BurkoFor over forty years, Diane Burko’s work has focused on monumental and geologic phenomena throughout the world, many of...
View ArticleClik here to view.
THE BEAT GOES ON: A Review by G. W. Smith
Naum Gabo, Monument for The Institute of Physics and Mathematics (maquette), 1925Whereabouts unknownThe Beat Goes On: Responding to Edward Shanken's Art and Electronic Mediaby G. W. Smith It is a bit...
View ArticleClik here to view.
Calder's Fractals, by Werner Sun
Werner Sun, Computer-generated fractals with mobile, 2014Digital photomontageWerner Sun (www.thecolortree.net) is an artist who probes the formation of knowledge and uncertainty through drawings,...
View ArticleClik here to view.
Glittering Machines, by Paul Myoda
Borderline Personality Disorder #3, 2013Aluminum, thermoplastic, reflective mylar, high power LEDs, motor, microprocessor & circuit7" x 7" x 12"Paul Myoda (www.paulmyoda.com) is a sculptor based in...
View ArticleClik here to view.
The Irrational Geometrics of Pascal Dombis
Post-Digital Mirror, 2011–2013, TZR Galerie Kai Brückner, Düsseldorf, 2013For nearly two decades Pascal Dombis has been using computer algorithms to produce excessive repetitions of simple processes...
View ArticleClik here to view.
Interview with Joseph Nechvatal
excitatiOn emigratiOn, 2011, computer-robotic assisted painting on canvas, 14 x 22cmOn the occasion of his latest exhibition at Galerie Richard in Paris, Joseph Nechvatal met with Taney Roniger to...
View ArticleClik here to view.
On Art and Science: Prospects for an Intersection
Earlier this summer, the online magazine Sci-Art in America issued an open call inviting artists, scientists, and other interested professionals to submit their views on the nature of the relationship...
View ArticleClik here to view.
On Art and Science, by Werner Sun
Werner Sun, Imperfection III (detail), 2014. Mixed media, 24" x 12"Editor's note: For a new series of posts to be published over the course of the coming year, I've invited members of the sci-art...
View ArticleClik here to view.
Why I am Not a Minimalist
Why I am Not a MinimalistTaney Roniger, 2011Minimalism: Few words plucked from the world of art and let loose on the larger culture have enjoyed such widespread and enduring proliferation as this one...
View Article
